CARISSIMI JEPHTE LES ARTS FLORISSANTS
“…Such as the Plorate which allowed Carissimi's Jephte (1648) to go through history: a lament that we would never like to see interrupted and where the heartbreaking soprano of Lauren Lodge Campbell (Jardin des Voix 2019) isolated in a beam of light is detached from a vocal ensemble that we leave with regret.”
Jean-Luc Clairet, Res Musica, September 2022
HANDEL HERCULES KARLSRUHE HANDEL FESTSPIELE
“The strongest impressions on the singers come from Lauren Lodge-Campbell as Iole. The young soprano sings crystal clear, wonderfully even and uses her wonderful timbre and her sophisticated phrasing to serve as a sensitive role portrait."
Karl George Berg, Die Rheinpfalz, February 2022
"Lauren Lodge-Campbell is the surprise of the evening. She creates her part in the finest nuances and embodies the daughter filled with sadness and melancholy with vocally feverish brilliance. Her lament “My father! Ah! thinks I see!”. In terms of scenery and music, this is the most intense and touching moment on the evening of the premiere."
Christiane Frank, Klassik.com, February 2022
“But one voice stands out: Lauren Lodge-Campbell as Iole with beautifully rendered coloraturas”
Bernd Künzig, SWR2, February 2022
"In any case, there is a lot of dreamlike music. For example, from the mouth of the Festival debutante Lauren-Lodge Campbell. Her ravishing, luminous, clear Iole alone is worth a visit to Hercules."
SW2, February 2022
"Lauren Lodge-Campbell plays the king's daughter Iole with an angelic sweet soprano voice that makes it easy to understand Dejanira's concern that this woman might turn Hercules' head."
Thomas Molke, Online Musik Magazin, February 2022
PUCCINI GIANNI SCHICCHI FIVE SENSES MUSIC
“Lauren Lodge-Campbell’s limpid yet expansively sung Lauretta had a nicely winsome quality and blended well with Seumas Begg’s excitingly voiced Rinuccio”
Alexander Campbell, Classical Source, January 2020
MOZART LA FINTA GIARDINIERA LES ARTS FLORISSANTS
“The Serpetta of Lauren Lodge-Campbell was irresistibly captivating, not only for her impeccable singing, but also for her gestures and movements that gathered all the freshness and vitality that this music has, the work of an 18-year-old composer. No one embodied that spirit better than her”
César Rus, Ópera Actual, Valencia, November 2019
"The spicy and playful Serpetta of Lauren Lodge-Campbell, drinks her mistress's chocolate as Despina does, sings for her lover pretending to hum only for herself, announcing Susanna. An ideal Soubrette, she has a charming face, a delicious lively stage presence and a brilliantly polished vocal tool"
Tania Bracq, Forum Opéra, Nantes, November 2019
"Lauren Lodge-Campbell presents a young soprano voice, fine and clear, fully at ease in the role of Serpetta. From a dramatic point of view, she has the strength and the means necessary for this type of role”
Joël Heuillon, Olyrix, Nantes, November 2019
“Lauren Lodge-Campbell is a devilish and mischievous Serpetta, who knows how to make her suitor Nardo run wild”
Jean-Pierre Robert, ON Mag, Paris, November 2019
“Lauren Lodge-Campbell charmingly filled the role of Serpetta with unapproachable and flirtatious looks”
Theresa Steininger, Die Presse, Vienna, November 2019
"Refreshing cheekiness was Lauren Lodge-Campbell, who also brought the necessary wit for Serpetta, and an expressive facial expression”
Dominik Troger, Oper in Wien, Vienna, November 2019
MONTEVERDI IL RITORNO D’ULISSE IN PATRIA PINCHGUT OPERA
“One of the stars of the evening was Pinchgut newcomer Lauren Lodge-Campbell (Minerva among other roles), whose purity of tone was a real delight throughout, but who also demonstrated her coloratura chops in ‘Fiamma è l’ira’”
David Larkin, Bachtrack, June 2019
“Soprano Lauren Lodge-Campbell showed herself especially versatile, inhabiting four roles in total... she demonstrated great beauty of voice and natural sense of line”
Justine Nguyen, Limelight Magazine, June 2019
“Particularly fine is Lauren Lodge-Campbell as Minerva, with a rich soprano and winning personality”
Michael Halliwell, Australian Book Review, June 2019
"Lauren Lodge-Campbell’s beautiful soprano voice was radiant, particularly on her higher, held notes."
Zoltan Szabo, The Conversation, June 2019
"Lauren Lodge-Campbell had gleaming strength of sound as Minerva”
Peter McCallum, Sydney Morning Herald, June 2019
“Sopranos Lauren Lodge-Campbell and Roberta Diamond displayed impressive agility and pure-toned beauty”
Murray Black, The Australian, June 2019
"Lauren Lodge-Campbell sang the soprano role of Minerva with a golden, unforced certainty that matched her breastplate"
Nicholas Routley, Australian Stage, June 2019
"Bright and golden soprano Lauren Lodge-Campbell is matched beautifully to the voices of Fortuna, Ericlea and a notably warm and enticing Minerva."
Paul Selar, Opera Chaser, June 2019
blow venus and adonis / monteverdi il ballo delle ingrate brighton early music festival
“The singing is quite splendid. Lodge-Campbell and Horak-Hallett, who swap the roles of Venus and Cupid in the two pieces, are both young sopranos of immense talent. Both sing with a real feel for the deceptively complex flow of Monteverdi’s vocal line in Il Ballo and make the most of Blow’s music, including a short duet of melting beauty in Venus and Adonis.”
Owen Davies, Plays To See, November 2018
“…Venus suddenly loses her Adonis to a lethal hunting injury – a moment turned into instant, a highly-charged operatic closing scene by the penetrating portrait of grief shown by Lauren Lodge-Campbell as the goddess of love.”
Richard Amey, Brighton and Hove Independent, November 2018
Maxwell davies the hogboon london symphony orchestra
”…Given with touching simplicity and luminous vocal beauty by the young soprano Lauren Lodge-Campbell”
Christopher Webber, Opera Magazine, June 2016
“Lauren Lodge-Campbell’s elegant Princess”
George Hall, The Guardian, June 2016